Book Review of Stephen King’s ‘Finders Keepers': A Keeper

June 6, 2015

Finders KeepersOne conceit I’ve always allowed Stephen King even while resisting it is his tendency to make everyone an avid reader. In book after book, diverse, hard-pressed characters in duress will suddenly reflect on a passage by an author they loved, as if this would happen in real life. But King himself is an avid reader, not just writer, and it pleases him to lace his narratives in beloved literary contexts.

With his new Finders Keepers (Scribner), as with Misery years before it, King’s narrative isn’t just laced with anecdotal references to literary affections — it’s utterly and dangerously galvanized by obsession with a novelist.

In this case, the obsession starts with a 1970s bad bongo, Morris Bellamy, who murders reclusive writer John Rothstein not just for his cache of cash but for a rumored treasure trove of writings he’d penned and squirreled away since retiring at his career’s peak after producing three acclaimed novels about a Holden Caulfield type character.

Cut to 2009, when Bellamy nears release from prison after decades and is hell-bent on recovering the writer’s notebooks he hid near his home in Ohio — a home now occupied by a teen, Pete Saubers, who coincidentally shares his obsession with Rothstein and coincidentally uncovers the treasure where it’s buried nearby. (Yes, coincidences do happen — but in this book they happen a lot.)

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‘Glee: The Final Season’ DVD Review: Fond Farewell

May 20, 2015

Glee S6 DVD

Revisiting Glee’s sixth season on its new DVDs not only provides a  fond farewell to my favorite show, but also reminds me what a great season it was. Sorry, Kevin McHale, but Glee did not “jump the shark” just because Cory Monteith died. Glee remained a superb, richly entertaining ensemble series through its almost fully satisfying end, with 13 more episodes of great songs, great performances and great character moments.

Now, why did I say “almost fully satisfying”? Well, we never can have it all, can we?

In this case, I’m referring to the series’ two-part finale, when it time-jumped to reveal happy endings for its characters as a payoff not only for them and the actors who played them, but also for longtime fans.

The problem for me and many fans (“Samchel” supporters, I’m talking to you) was that the “happy ending” desired by Lea Michele conflicted with what her character, Rachel Berry, would have wanted.

There’s no way in God’s universe that Rachel should have wound up with Jesse St. James — a smug, vain, egotistical clod who once threw eggs at her and was hated by her true love, Finn. Besides, Glee’s creators spent much of Season 6 developing a credible romance between Rachel and Sam, who was easily as sweet and earnest and tender toward her as Finn had been, only to squander it at the end with the head-scratcher of jerk Jesse suddenly taking his place.

But I know why they did it. They did it for Lea, not Rachel. In fact, one of two fine behind-the-scenes featurettes on Disc 4 explains it all with one telling remark.

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DVD Review ‘Mystery Science Theater 3000 Vol. XXXII': Baltimore?

April 10, 2015

mst 32I should have known our ol’ pals at Satellite News would finally get their due on an MST3K box set. Now it’s happened with Mystery Science Theater 3000 Volume XXXII, whose four discs’ extra features include “Sampo Speaks! A Brief History of Satellite News.”

How brief? Well, 7 1/2 minutes isn’t bad for “Sampo,” who’s actually journalist Chris Cornell, to guide us down memory lane to the days when MST’s production company, Best Brains, issued its own newsletter named Satellite News.

Yep, I used to get these in the mail. But the cost for 80,000 copies became prohibitive. So Best Brains, knowing Cornell was a sympathetic journalist (a status I also enjoyed with BB over the years while covering them for the Houston Chronicle), asked him to take over under the same name — which he and Brian Henry did, as a website.

The rest, as they say, is history, as Satellite News blossomed with the rise of the Internet in the 1990s, back when MST was an ongoing cable TV staple. And SN is still going strong today, 16 years after the show left the air, by serving staunch fans and promoting the careers of those in the show.

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Glee Season 6 Episodes 12-13 ‘2009,’ ‘Dreams Come True': Fitting Finish

March 21, 2015


For six years, like the characters on Glee, I’ve had slushies in my face — only in my case they weren’t cups of icy red syrup. They were the venom spewed by haters — the dogged nay-sayers who couldn’t stand Glee and rained on its parade while staying oddly preoccupied with it, given such contempt.

To me, they were Sue Sylvester wannabes — and no more effective. They ceaselessly railed against a show which kept on going, while making absolutely no difference.

But Glee made one, because Glee was different. Despite an offbeat (for TV) musical format and no real stars, it lasted for an impressive six seasons, 121 episodes and over 700 songs. Who won in the end? Glee did.

Yes, it’s over now. But Glee did it. Glee existed. Glee survived.

And Glee thrived.

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Glee Review/Recap Season 6 Episode 11 ‘We Built This Glee Club': Dog Day

March 14, 2015


As a fan of Glee, I forgive. I make allowances. I cite artistic license. I credit the fantasy element of what I’ve long called a musical fantasy. And even in my measured criticisms and reservations, I embrace the big picture of my favorite show ever — an unprecedented TV series in the burst-into-song mode of a vintage movie musical.

Has any other scripted show made music — real and imagined — its narrative centerpiece? Has any show — ever — offered over 700 song performances, and often glorious ones? No. It’s never happened till now. So I forgive.

But even I have limits, and they were breached by Glee’s Season 6, Episode 11, We Built This Glee Club.

I know it’s late in the game, with only the two-part series finale remaining, and I want to be all-in. I want to be on board.

But this week? What a mess.

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Glee Review/Recap Season 6 Episode 10 ‘The Rise and Fall of Sue Sylvester': Winter Camp

March 7, 2015

glee rise and fall 2

I’m seeing some grumbling in the Twitterverse about Glee’s Episode 10, The Rise and Fall of Sue Sylvester. Some say it was boring. And I say to them: Huh?

This was one of the most eventful and entertaining shows — albeit in a warped way — in many a Glee moon.

Sue gets fired as McKinley principal, has a wildly explosive interview with Geraldo Rivera exposing her legacy of lies, then gets the reins of Vocal Adrenaline, mixing her fury with their steroid-style rage to goose its hell-bent lust to beat New Directions. (Dullsville?)

Dalton Academy burns down. (That big? In its entirety? No fire protection?) So ND and the Warblers unite as one super glee club, ending with new unis and a stirring new song. (Yawn?)

Rachel gets cast in another Broadway show and will return to New York, only to learn she’s also been invited to go back to NYADA, a move boyfriend Sam staunchly supports while applause-hound Rachel resists, though she calls him “the person who matters the most.” (Zzzzzz?) (Samchel anyone? I think they may, in fact, be endgame.)

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CD Review ‘The Sound of Music–50th Anniversary Edition’

February 28, 2015

sound of music 50th

What keeps a hit movie going strong after half a century? How about strong songs, story, cast, performances, settings and spirit?

Those are a few of my favorite things about 1965’s film version of Rodgers & Hammerstein’s The Sound of Music, perhaps the most beloved movie musical in history.

For this anniversary year, its tale of an Austrian family finding a new mother in a nun-in-training governess (Julie Andrews) while singing their hearts out amid the Nazi takeover prior to World War II is getting a 50th Anniversary Edition on CD, as well as a two-disc vinyl set. Both are due March 10 from Legacy.

What’s new? That starts with a dozen extended tracks, largely via expanded orchestral cues. The disc also collects all of the film’s vocal performances on one CD for the first time, and it sports a new intro and liner notes involving Andrews, as well as rare illustrations and photos.

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Glee Review/Recap Season 6 Episode 9 ‘Child Star': Busy Newbies

February 28, 2015

glee child star

One thing I’ve appreciated about Glee’s final season is how the show is still Glee. That is, it’s going on with another incarnation of the McKinley glee club while also wrapping up long-running storylines and rewarding long-standing characters and their fans.

Hey, the show must go on — or all over the place — or something. So be it.

Besides, since night one I’ve loved the newbies in New Directions. Heck, some might say they’re even more appealing than ND’s second incarnation with Season’s 4 and 5’s Marley, Ryder, Jake, Joe and Unique.

For Child Star, I was glad to see Spencer, Roderick, Mason, Madison and Jane get special focus, even if the show did feel overly weighted toward them considering Glee’s nearness to the end and the narrative burdens that presents.

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Glee Review/Recap Season 6 Episode 8 ‘A Wedding': I Do

February 21, 2015

glee a wedding

Talk about timing. With same-sex marriage riding waves of publicity and public acceptance, and with Texas getting its first gay marriage this week, Glee gave us a double dose of such about-time nuptials in Episode 8’s A Wedding, the most fun show of Season 6 to date.

Not that it wasn’t also tearful like last week’s episode, but in a warm way, as friends and family united for Brittany and Santana — joined by cajoled couple Kurt and Blaine — to marry in the Indiana barn where Britt, it turns out, was born.

Among many Glee stalwarts returning was Kurt’s dad, Burt (lovable Mike O’Malley), who officiated the wedding with on-target observations about the universality of love and the shared belief with his son that it’s time for all of us to walk in the sunshine together.

This show was sunshiny, all right, even including Sue, whose rehabilitation continued as a woman who truly does care about others, as she showed by managing to reconcile Santana and her disapproving abuela, or grandmother (Ivonne Coll).

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Glee Review/Recap Season 6 Episode 7 ‘Transitioning': Genre Bender

February 14, 2015

glee transitioning

The first five episodes of Glee’s final season were written by its original creators, who know the show best and take it to heart most. The last two have not been, and with last night’s Transitioning, it showed.

Episode 7 was well-meaning enough, but also uneven, preachy and riddled with more plot holes than usual for Glee’s musical fantasy.

Why is so much of the old glee club still in Lima? Why did Karofsky so quickly and easily bow out so Blaine could move on to Kurt? Why did Vocal Adrenaline fiercely value rehearsal time, then go to McKinley — twice — for idiotic pranks?

Transitioning also felt like one of Will’s old lessons-of-the-week, with its title signifying not just Beiste’s sex change to a man as Sheldon (with “she” in the name?), but also Rachel bidding goodbye to her childhood home and Will finally quitting his impossible job as VA’s coach, where his own lesson of “tolerance” fell on deaf ears.

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