Posts Tagged ‘Stephen King’

Review: ‘Carrie’ 40th Anniversary Edition

October 4, 2016

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If you, like me, are a fan of Stephen King, you should have a special place in your heart for Carrie, his first published novel (in 1974), which became the first film based on his now voluminous work (in 1976) and even a musical and a movie remake.

But Carrie is special beyond its firsts. The tale of a sweet girl whose religious zealot mother and cruel classmates push her to use her destructive telekinetic powers to the max, it’s simply a great King yarn, and it’s fascinating to explore how it changed, while keeping the same central characters and spirit, in director Brian De Palma’s film version.

You can do this by picking up Scream Factory’s new two-disc Blu-ray “Collector’s Edition” for the film’s 40th anniversary year, due Oct. 11. Along with a new 4K scan of the film’s original negative, it’s got loads of extras for dissecting and probing the production, some of which are repeats (trailers, TV spots, radio spots, still gallery, etc.) and some of which are new.

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Book review: Stephen King’s ‘End of Watch’

June 3, 2016

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Stephen King’s End of Watch (Scribner, 431 pages, due June 7) is the kind of book for which the term “page-turner” was invented. (Note: It’s not to be confused with a 2012 cop movie of the same title.)

A riveting read from start to finish, End of Watch rousingly concludes the saga of retired-cop-turned-private-detective Bill Hodges who, along with sympathetic cohorts, confronts a final appalling plot by the deranged killer of Mr. Mercedes, who spent follow-up book Finders Keepers in a vegetative state.

Or did he?

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Book Review of Stephen King’s ‘Finders Keepers’: A Keeper

June 6, 2015

Finders KeepersOne conceit I’ve always allowed Stephen King even while resisting it is his tendency to make everyone an avid reader. In book after book, diverse, hard-pressed characters in duress will suddenly reflect on a passage by an author they loved, as if this would happen in real life. But King himself is an avid reader, not just writer, and it pleases him to lace his narratives in beloved literary contexts.

With his new Finders Keepers (Scribner), as with Misery years before it, King’s narrative isn’t just laced with anecdotal references to literary affections — it’s utterly and dangerously galvanized by obsession with a novelist.

In this case, the obsession starts with a 1970s bad bongo, Morris Bellamy, who murders reclusive writer John Rothstein not just for his cache of cash but for a rumored treasure trove of writings he’d penned and squirreled away since retiring at his career’s peak after producing three acclaimed novels about a Holden Caulfield type character.

Cut to 2009, when Bellamy nears release from prison after decades and is hell-bent on recovering the writer’s notebooks he hid near his home in Ohio — a home now occupied by a teen, Pete Saubers, who coincidentally shares his obsession with Rothstein and coincidentally uncovers the treasure where it’s buried nearby. (Yes, coincidences do happen — but in this book they happen a lot.)

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Book Review: Stephen King’s ‘Mr. Mercedes’: Fill ‘Er Up

June 1, 2014

merc coverWith mass killings by estranged loners becoming scarily commonplace, Stephen King’s new novel, Mr. Mercedes (Scribner, 436 pages, $30, June 3), is as timely as an unearthed clue without a moment to spare. It’s also his most straightforward crime thriller ever — Joyland on steroids — with no supernatural elements but rather a compelling, page-turning case to solve.

That cold case gets a renewed attack by shrewd retired cop Hodges, who never caught “Mr. Mercedes,” the killer who slammed a stolen car into a parking-lot crowd of job-seekers. The killer’s identity is quickly revealed — this is as much his story as Hodges’ — and cat-and-mouse intrigue follows when he tauntingly contacts the ex-cop to goad him into suicidal despair.

What follows has violent moments, including flashbacks, but King seems to respect that this novel isn’t exclusively for horror devotees. Mr. Mercedes is more gripping than gruesome, building tension and excitement instead of resorting to grisly eruptions.

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